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Cinema
Review: 'Backrooms' turns empty offices into a stunning cinematic nightmare
What began as a viral internet phenomenon becomes, in Kane Parsons’ hands, an effective surreal horror film where design is the real star, turning empty rooms and corridors into a deeply unsettling cinematic maze
Shmulik Duvdevani
|
06.05.26
Review: 'Obsession' shows Gen Z what toxic love looks like, and it’s scarier than any ghost
Former YouTuber Curry Barker turns a shy man’s spellbound romantic wish into a nightmare, tapping the anxieties of modern relationships in a low-budget horror hit everyone is talking about
Erez Dvora
|
06.05.26
How YouTubers turned viral nightmares into Hollywood’s newest horror obsession
Horror films by Kane Parsons, the Philippou brothers, Curry Barker and other YouTubers show Hollywood’s fastest path now runs through millions of followers, not film school or festivals
Amir Bogen
|
06.04.26
Inside Jennifer Lopez and Brett Goldstein’s rumored off-screen relationship
Jennifer Lopez and Brett Goldstein are rumored to have dated during filming of Office Romance, with a source claiming they continued after production before splitting amicably
ynet
|
06.04.26
'October 7 was an act of Nazism': Polish director takes on Holocaust cinema
Michal Kosakowski has long gravitated toward dark subjects, especially the Holocaust; his sweeping new documentary Holofiction explores its portrayal on screen and will be shown at Docaviv 2026
Amir Kaminer, Venice
|
05.26.26
‘Mother Mary’ review: Anne Hathaway plays fictional pop star; Michael Jackson movie sounds better
‘Mother Mary,’ starring Anne Hathaway, follows a pop star in crisis as she reconnects with an old friend before a major comeback show; but instead of glittering pop drama, it is heavy, strange and pretentious
Benjamin Tovias
|
05.20.26
Cannes revives Thelma & Louise at Israel's expense
Film festival’s 2026 poster honors the feminist classic, while juror Paul Laverty accuses Hollywood of blacklisting Susan Sarandon and other actors over Gaza criticism
Amir Kaminer, Cannes
|
05.13.26
From Daphne and the Duke to Heated Rivalry: TV and film’s hottest on-screen couples
These on-screen couples had chemistry so intense it sparked rumors beyond the screen, from the Hot Priest to the stars of Normal People
Smadar Shiloni
|
05.08.26
'Getting to Cannes is wow': no Israeli films, but Israeli talent still makes its mark
The 79th Cannes Film Festival to open next week with no Hebrew-language films in the lineup, but Israeli actors, producers and cinematographers are involved in several high-profile productions competing and screening at the event
Amir Kaminer
|
05.07.26
Cannes serves up auteur feast, Spanish splash and almost no Hollywood muscle
Pedro Almodóvar, Rodrigo Sorogoyen and Los Javis all land in competition as Thierry Frémaux unveils a prestige-heavy 2026 lineup led by arthouse heavyweights, with Park Chan-wook heading the jury and Peter Jackson and Barbra Streisand set for honorary Palmes
Amir Kaminer
|
04.09.26
Review: Ryan Gosling’s ‘Project Hail Mary’ revives theaters with ambitious sci-fi
After weeks of closures, ‘Project Hail Mary’ — the Andy Weir adaptation starring Ryan Gosling — delivers spectacle and humor, though it struggles to balance light family fare with ambitious sci-fi
Erez Dvora
|
04.07.26
The drama behind The Drama: Zendaya's new film sparks backlash over school shooting plot twist
An A24 film starring Zendaya and Robert Pattinson, marketed as a dark romantic comedy, is drawing backlash over a key plot twist revealed only during viewing, with critics citing misleading promotion and urging a trigger warning; spoiler alert ahead!
Lior Saado
|
04.05.26
Cannes to open with star-studded Pierre Salvadori romantic comedy
La Vénus électrique, a burlesque romantic comedy set in 1928 Paris, will premiere at the festival’s opening ceremony on May 12 before opening in theaters across France
Amir Kaminer
|
04.01.26
Emerald Fennell’s 'Wuthering Heights' remake brings gothic romance to the TikTok generation
Review: Emerald Fennell reimagines Emily Brontë’s novel with a modern soundtrack, provocative casting and Margot Robbie in a gothic twist; not a faithful or period adaptation, but a dark, passionate take that challenges the literary canon
Benjamin Tovias
|
02.16.26
Send Help review: Sam Raimi’s gory horror comedy is fun but not wild enough
After a run of blockbusters, cult director returns to his roots with a dark horror comedy about a survival expert and her insufferable boss stranded on a deserted island — bloody, gross and amusing, but ultimately too restrained and old-fashioned
Benjamin Tovias
|
02.14.26
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