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Cinema
Emerald Fennell’s 'Wuthering Heights' remake brings gothic romance to the TikTok generation
Review: Emerald Fennell reimagines Emily Brontë’s novel with a modern soundtrack, provocative casting and Margot Robbie in a gothic twist; not a faithful or period adaptation, but a dark, passionate take that challenges the literary canon
Benjamin Tovias
|
02.16.26
Send Help review: Sam Raimi’s gory horror comedy is fun but not wild enough
After a run of blockbusters, cult director returns to his roots with a dark horror comedy about a survival expert and her insufferable boss stranded on a deserted island — bloody, gross and amusing, but ultimately too restrained and old-fashioned
Benjamin Tovias
|
02.14.26
‘Die My Love’ review: Jennifer Lawrence gives everything in an unsettling, excessive performance
The latest film by director Lynne Ramsay, drags its heroine and viewers into a bleak, suffocating descent, with Jennifer Lawrence fully exposed as a disintegrating mother in a performance that is daring and thought-provoking, yet pushed to excess
Erez Dvora
|
02.14.26
Review: Why ‘Hamnet’ is emerging as one of the strongest Oscar contenders of the year
Chloe Zhao’s new film reimagines Shakespeare by centering on his wife Agnes, played by Jessie Buckley, exploring grief over their son’s death and the transformation of private loss into art in a poetic portrait of creativity
Shmulik Duvdevani
|
01.27.26
Can ‘Avengers: Doomsday’ save Marvel — or finally bury the franchise?
After six years of decline and superhero fatigue, Marvel is betting everything on ‘Avengers: Doomsday’ — leaning on legacy heroes, aging X-Men and heavy nostalgia in hopes of reviving a franchise whose magic may already be fading
Yoni Beinart
|
01.21.26
‘Song Sung Blue’ review: Kate Hudson shines in charming small musical about big losers
After biopics about Elvis, Queen and Dylan, Hollywood turns to smaller musical stories and finds an unexpected human touch; ‘Song Sung Blue’ follows aging cover singers seeking grace, with Kate Hudson shining and Hugh Jackman less so, landing on charm over sentimentality
Benjamin Tovias
|
01.16.26
Box office record: Zoe Saldaña becomes the highest-grossing actress in film history
Academy Award winner officially crowned highest-grossing actress in film history, driven by the Avatar films, her Marvel roles and the Star Trek trilogy, with her movies raking in about $15.47 billion worldwide
ynet
|
01.14.26
Shakespeare, King David and period erotica: the hottest films of winter 2026
From a sexually charged take on Emily Brontë’s novel to an unthinkable tragedy facing a Haredi couple and new films by masters such as Park Chan-wook and Paolo Sorrentino, we’ve gathered the trailers for the hottest movies set to arrive in the coming months
Yoni Beinart
|
01.09.26
Review: ‘Marty Supreme’ may finally bring Timothée Chalamet his well-deserved Oscar
With boundless charisma and swagger, Timothée Chalamet delivers a career-best turn as an ambitious ping-pong player in Josh Safdie’s frenetic, unhinged film — a cinematic tour de force with real Oscar potential
Erez Dvora
|
01.01.26
‘Everything was mine until it wasn’t’: Kristen Stewart on Cannes, fame and directing her own story
Seventeen years after breaking out in ‘Twilight,’ Kristen Stewart says she worked to escape the image, scandals and paparazzi; with her directorial debut, she reflects on her chemistry with Robert Pattinson, the scars of fame and her sense of freedom today
Amir Kaminer, Cannes
|
12.29.25
From screen rebel to cultural legend: the life and legacy of Brigitte Bardot
A young Frenchwoman upended 1950s cinema, redefining freedom, sexuality and rebellion; Brigitte Bardot later abandoned the screen, rejected life as an aging icon and motherhood, fought for animal rights and left a complex, enigmatic legacy
Shmulik Duvdevani
|
12.28.25
Sydney Sweeney is this era’s greatest sex symbol, so why are her movies bombing at the box office?
The Euphoria star is everywhere in pop culture, yet her sex-symbol status and massive following haven’t translated into box office success, exposing a Hollywood era where desire fuels likes, not revenue
Amir Bogen
|
12.22.25
Review: Disney’s ‘Zootopia 2’ returns with sharp humor and stunning animation
Disney’s animated sequel follows officers Judy Hopps and Nick Wilde as they unravel a conspiracy case; the film isn’t flawless but its inventive design, sharp dialogue and emotional pull shine through, promising strong repeat viewings and major box office returns
Erez Dvora
|
11.29.25
Like Forrest Gump but slower: Netflix's Train Dreams stays with you long after watching
The acclaimed Netflix film follows a logger across eight decades in a pared-down American epic shaped by Terrence Malick’s influence; though some imagery feels familiar and risks cliché, the film lingers long after the credits roll
Shmulik Duvdevani
|
11.27.25
Review: 'Now You See Me: Now You Don’t' fails to revive its magical heist formula
The magician-con-artist crew returns for a flashy new mission — this time targeting a wealthy villainess — in a clear bid to reboot the franchise with a new generation; but like its predecessors, the twists are absurd and the logic is nowhere to be found
Erez Dvora
|
11.21.25
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