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Film Review

Jennifer Lopez looks 30, so why does this rom-com feel 300?

Review: Brett Goldstein of 'Ted Lasso' teams with Jennifer Lopez to revive the rom-com, but 'Office Romance' leans on clichés, crude jokes and absurd twists, forgetting to make us believe two people are really falling in love

Smadar Shiloni | 06.08.26

Time travel, family secrets and Monet: 'Colours of Time' knows its audience

Cédric Klapisch's 'Colours of Time' blends European festival-cinema staples with a story spanning the 19th century and today: predictable and overlong, but charming

Shmulik Duvdevani | 06.06.26

Review: 'Masters of the Universe' is a trashy movie that knows exactly what it is

In an era when toy brands become cinematic manifestos, 'Masters of the Universe' gives an ’80s action icon a modern, psychological spin, aiming for fantasy’s 'Barbie' with kids and nostalgic adults in mind

Erez Dvora | 06.05.26

Review: 'Backrooms' turns empty offices into a stunning cinematic nightmare

What began as a viral internet phenomenon becomes, in Kane Parsons’ hands, an effective surreal horror film where design is the real star, turning empty rooms and corridors into a deeply unsettling cinematic maze

Shmulik Duvdevani | 06.05.26

Review: 'Obsession' shows Gen Z what toxic love looks like, and it’s scarier than any ghost

Former YouTuber Curry Barker turns a shy man’s spellbound romantic wish into a nightmare, tapping the anxieties of modern relationships in a low-budget horror hit everyone is talking about

Erez Dvora | 06.05.26

‘Mother Mary’ review: Anne Hathaway plays fictional pop star; Michael Jackson movie sounds better

‘Mother Mary,’ starring Anne Hathaway, follows a pop star in crisis as she reconnects with an old friend before a major comeback show; but instead of glittering pop drama, it is heavy, strange and pretentious

Benjamin Tovias | 05.20.26

Talking octopus, Sally Field and over-the-top twist: 'Remarkably Bright Creatures' is hard to resist

Review: With an aging octopus prone to cheap philosophy and humans learning life lessons, 'Remarkably Bright Creatures' is sentimental and far-fetched, but Sally Field keeps the melodrama afloat

Shmulik Duvdevani | 05.12.26

'The Devil Wears Prada 2' tries to recapture its magic — and falls flat

Two decades after the original became a classic, the long-awaited sequel reunites its stars in a glossier but less relevant fashion world, recycling the past instead of offering fresh insight — and leaving Miranda Priestly far less devilish

Itai Yaakov | 04.30.26

‘The Bride!’ becomes viral joke after walkouts but emerges as bold, chaotic must-watch

It flopped at the box office and went viral as viewers walked out, but ‘The Bride!’ emerges as an ambitious, chaotic film blending Frankenstein, 1930s Hollywood and modern politics, remaining intriguing even as it unravels

Shmulik Duvdevani | 04.13.26

Review: Ryan Gosling’s ‘Project Hail Mary’ revives theaters with ambitious sci-fi

After weeks of closures, ‘Project Hail Mary’ — the Andy Weir adaptation starring Ryan Gosling — delivers spectacle and humor, though it struggles to balance light family fare with ambitious sci-fi

Erez Dvora | 04.07.26

Review: ‘Mike & Nick & Nick & Alice’ tries everything, but can’t hold it together

Vince Vaughn leads a chaotic genre mashup blending crime, comedy and sci-fi, with moments of fun but an overstuffed plot that struggles to balance its many ideas

Erez Dvora | 03.31.26

'Peaky Blinders' film delivers a fitting cinematic ending to hit series

Global hit series gets the cinematic ending it deserves in 'Peaky Blinders: The Immortal Man,' as a time jump revisits Tommy Shelby, played by Cillian Murphy, in a rare TV-to-film success that stays true to its roots

Tzippy Shmilovitz, New York | 03.23.26

Emerald Fennell’s 'Wuthering Heights' remake brings gothic romance to the TikTok generation

Review: Emerald Fennell reimagines Emily Brontë’s novel with a modern soundtrack, provocative casting and Margot Robbie in a gothic twist; not a faithful or period adaptation, but a dark, passionate take that challenges the literary canon

Benjamin Tovias | 02.16.26

Send Help review: Sam Raimi’s gory horror comedy is fun but not wild enough

After a run of blockbusters, cult director returns to his roots with a dark horror comedy about a survival expert and her insufferable boss stranded on a deserted island — bloody, gross and amusing, but ultimately too restrained and old-fashioned

Benjamin Tovias | 02.14.26

‘Die My Love’ review: Jennifer Lawrence gives everything in an unsettling, excessive performance

The latest film by director Lynne Ramsay, drags its heroine and viewers into a bleak, suffocating descent, with Jennifer Lawrence fully exposed as a disintegrating mother in a performance that is daring and thought-provoking, yet pushed to excess

Erez Dvora | 02.14.26

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