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Film Review
Andrew Garfield leads a medieval revolt in ‘The Uprising’ — and its aftermath is the real warning
No Robin Hood here, his legend predates the story by 200 years; instead, Andrew Garfield plays a plague-bereaved English peasant crushed by taxes who leads an angry mob against the king and his corrupt advisers; how it ends? check Wikipedia
Shmulik Duvdevani
|
09.18.26
Nearly 30 years later, ‘Practical Magic 2’ repeats the original instead of moving forward
Nearly 30 years after the original became a cult hit, the sequel recreates its characters, chemistry and formula instead of moving them forward; it knows what fans loved, but offers little new — a missed chance for Bullock and Kidman
Erez Dvora
|
09.17.26
Gal Gadot’s generic new thriller is the last thing her career needs right now
In Amazon Prime’s ‘The Runner,’ Gadot has one hour to save her kidnapped son, but a ridiculous plot, thin script and relentless effects reduce the film to generic streaming fare
Erez Dvora
|
09.03.26
Leviticus is less a horror film than a painful story about forbidden love
Adrian Chiarella’s impressive debut follows two teenage boys in an isolated religious town whose attraction unleashes supernatural violence; the allegory can be heavy-handed, but Joe Bird and Stacey Clausen give the film its aching emotional force
Shmulik Duvdevani
|
08.31.26
Israel barred teens from watching this horror movie, and they should probably be grateful
Eli Roth’s splatter comedy 'Ice Cream Man' turns an ice cream vendor into the creator of murderous children, but repetitive gore, artificial-looking effects and admitted use of AI leave the film feeling more synthetic than frightening
Erez Dvora
|
08.08.26
Review: Marvel stopped chasing dopamine and Spider-Man finally got the movie he deserved
‘Spider-Man: Brand New Day’ abandons multiverse fan service for character relationships, emotional depth and polished action, making it Tom Holland’s strongest outing as the web-slinger even if it falls short of its predecessor’s record-breaking box office
Erez Dvora
|
07.30.26
Another Oscar on the horizon? Christopher Nolan’s ‘The Odyssey’ is a cinematic marvel
The acclaimed director behind 'Oppenheimer' and 'Memento' turns Homer’s 'Odyssey' into a deeply personal tale of trauma, memory and the journey home, delivering one of his most visually stunning, technically daring and ambitious films
Erez Dvora
|
07.16.26
Review: 'Jackass: Best and Last' brings back the pain, but not the old spark
Nearly 25 years after redefining outrageous comedy, Johnny Knoxville and his crew return for a farewell packed with nostalgia, recycled material and a few new stunts; though it is unclear whether Gen Z will care about their aging antics
Erez Dvora
|
07.16.26
Could ‘The Invite’ win an Oscar? Olivia Wilde’s comedy may be the movie everyone talks about this year
Wilde directs and stars in the US remake of ‘The People Upstairs’ with Seth Rogen, Penélope Cruz and Edward Norton, turning a neighbors’ dinner into a sharp clash over love, desire and marriage, and maybe awards
Erez Dvora
|
07.09.26
Paul Rudd vs. Nick Jonas: This music drama is well worth your time
Nearly 20 years after 'Once,' Irish director John Carney returns to music, trading sweetness for conflict over art, credit and ego in 'Power Ballad,' starring Paul Rudd and a surprising Nick Jonas
Benjamin Tovias
|
07.07.26
'Voicemails for Isabelle' review: everyone fell for this Netflix rom-com, and so did we
Rom-coms spent years on the sidelines, but Netflix is bringing the genre back; 'Voicemails for Isabelle' mixes an original premise, witty dialogue and a winning star for a modern love story with old-school charm; no wonder it shot up the viewing charts
Smadar Shiloni
|
07.04.26
‘Sentimental Value’ is one of the most beautiful films in years
Joachim Trier’s finest film, winner of Cannes’ Grand Prix and the international Oscar, follows an aging director trying to reconnect with his actress daughter, reopening family wounds and the fraught line between art and life
Erez Dvora
|
06.25.26
‘Köln 75’: Israeli director turns legendary concert into captivating film
Fifty years after Keith Jarrett’s legendary German concert became jazz’s best-selling solo album, Ido Fluk’s ‘Köln 75’ tells the story of the determined teen who made it happen, blurring fact, memory and myth
Shmulik Duvdevani
|
06.23.26
Toy Story 5 is more than another sequel, and Pixar still has something to say
Thirty-one years after the first film, Pixar brings Woody, Buzz and Jessie back for a new adventure in a world where children prefer screens to toys, blending humor, nostalgia and real emotional weight
Erez Dvora
|
06.22.26
Jennifer Lopez looks 30, so why does this rom-com feel 300?
Review: Brett Goldstein of 'Ted Lasso' teams with Jennifer Lopez to revive the rom-com, but 'Office Romance' leans on clichés, crude jokes and absurd twists, forgetting to make us believe two people are really falling in love
Smadar Shiloni
|
06.08.26
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