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Film Review
Israel barred teens from watching this horror movie, and they should probably be grateful
Eli Roth’s splatter comedy 'Ice Cream Man' turns an ice cream vendor into the creator of murderous children, but repetitive gore, artificial-looking effects and admitted use of AI leave the film feeling more synthetic than frightening
Erez Dvora
|
08.08.26
Review: Marvel stopped chasing dopamine and Spider-Man finally got the movie he deserved
‘Spider-Man: Brand New Day’ abandons multiverse fan service for character relationships, emotional depth and polished action, making it Tom Holland’s strongest outing as the web-slinger even if it falls short of its predecessor’s record-breaking box office
Erez Dvora
|
07.30.26
Another Oscar on the horizon? Christopher Nolan’s ‘The Odyssey’ is a cinematic marvel
The acclaimed director behind 'Oppenheimer' and 'Memento' turns Homer’s 'Odyssey' into a deeply personal tale of trauma, memory and the journey home, delivering one of his most visually stunning, technically daring and ambitious films
Erez Dvora
|
07.16.26
Review: 'Jackass: Best and Last' brings back the pain, but not the old spark
Nearly 25 years after redefining outrageous comedy, Johnny Knoxville and his crew return for a farewell packed with nostalgia, recycled material and a few new stunts; though it is unclear whether Gen Z will care about their aging antics
Erez Dvora
|
07.16.26
Could ‘The Invite’ win an Oscar? Olivia Wilde’s comedy may be the movie everyone talks about this year
Wilde directs and stars in the US remake of ‘The People Upstairs’ with Seth Rogen, Penélope Cruz and Edward Norton, turning a neighbors’ dinner into a sharp clash over love, desire and marriage, and maybe awards
Erez Dvora
|
07.09.26
Paul Rudd vs. Nick Jonas: This music drama is well worth your time
Nearly 20 years after 'Once,' Irish director John Carney returns to music, trading sweetness for conflict over art, credit and ego in 'Power Ballad,' starring Paul Rudd and a surprising Nick Jonas
Benjamin Tovias
|
07.07.26
'Voicemails for Isabelle' review: everyone fell for this Netflix rom-com, and so did we
Rom-coms spent years on the sidelines, but Netflix is bringing the genre back; 'Voicemails for Isabelle' mixes an original premise, witty dialogue and a winning star for a modern love story with old-school charm; no wonder it shot up the viewing charts
Smadar Shiloni
|
07.04.26
‘Sentimental Value’ is one of the most beautiful films in years
Joachim Trier’s finest film, winner of Cannes’ Grand Prix and the international Oscar, follows an aging director trying to reconnect with his actress daughter, reopening family wounds and the fraught line between art and life
Erez Dvora
|
06.25.26
‘Köln 75’: Israeli director turns legendary concert into captivating film
Fifty years after Keith Jarrett’s legendary German concert became jazz’s best-selling solo album, Ido Fluk’s ‘Köln 75’ tells the story of the determined teen who made it happen, blurring fact, memory and myth
Shmulik Duvdevani
|
06.23.26
Toy Story 5 is more than another sequel, and Pixar still has something to say
Thirty-one years after the first film, Pixar brings Woody, Buzz and Jessie back for a new adventure in a world where children prefer screens to toys, blending humor, nostalgia and real emotional weight
Erez Dvora
|
06.22.26
Jennifer Lopez looks 30, so why does this rom-com feel 300?
Review: Brett Goldstein of 'Ted Lasso' teams with Jennifer Lopez to revive the rom-com, but 'Office Romance' leans on clichés, crude jokes and absurd twists, forgetting to make us believe two people are really falling in love
Smadar Shiloni
|
06.08.26
Time travel, family secrets and Monet: 'Colours of Time' knows its audience
Cédric Klapisch's 'Colours of Time' blends European festival-cinema staples with a story spanning the 19th century and today: predictable and overlong, but charming
Shmulik Duvdevani
|
06.06.26
Review: 'Masters of the Universe' is a trashy movie that knows exactly what it is
In an era when toy brands become cinematic manifestos, 'Masters of the Universe' gives an ’80s action icon a modern, psychological spin, aiming for fantasy’s 'Barbie' with kids and nostalgic adults in mind
Erez Dvora
|
06.05.26
Review: 'Backrooms' turns empty offices into a stunning cinematic nightmare
What began as a viral internet phenomenon becomes, in Kane Parsons’ hands, an effective surreal horror film where design is the real star, turning empty rooms and corridors into a deeply unsettling cinematic maze
Shmulik Duvdevani
|
06.05.26
Review: 'Obsession' shows Gen Z what toxic love looks like, and it’s scarier than any ghost
Former YouTuber Curry Barker turns a shy man’s spellbound romantic wish into a nightmare, tapping the anxieties of modern relationships in a low-budget horror hit everyone is talking about
Erez Dvora
|
06.05.26
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