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Erez Dvora

Could ‘The Invite’ win an Oscar? Olivia Wilde’s comedy may be the movie everyone talks about this year

Wilde directs and stars in the US remake of ‘The People Upstairs’ with Seth Rogen, Penélope Cruz and Edward Norton, turning a neighbors’ dinner into a sharp clash over love, desire and marriage, and maybe awards

Erez Dvora | 07.09.26

Five standout films and a Rossellini tribute: what to watch at 2026 Jerusalem Film Festival

A bizarre Bruno Dumont coming-of-age tale, a Danish PTSD drama, a hand-drawn family animation and Sandra Hüller’s award-winning role are among this year’s standouts, alongside a Roberto Rossellini program tracing the roots of modern cinema

Shmulik Duvdevani, Erez Dvora | 07.09.26

Supergirl fails to take flight: DC’s reboot hits a major setback

'Supergirl,' the second film in James Gunn’s DCU reboot, is panned as a muddled, uneven adaptation of 'Woman of Tomorrow', with a weak script, tonal confusion and troubled production, despite Milly Alcock and Jason Momoa’s efforts

Erez Dvora | 06.26.26

‘Sentimental Value’ is one of the most beautiful films in years

Joachim Trier’s finest film, winner of Cannes’ Grand Prix and the international Oscar, follows an aging director trying to reconnect with his actress daughter, reopening family wounds and the fraught line between art and life

Erez Dvora | 06.25.26

Toy Story 5 is more than another sequel, and Pixar still has something to say

Thirty-one years after the first film, Pixar brings Woody, Buzz and Jessie back for a new adventure in a world where children prefer screens to toys, blending humor, nostalgia and real emotional weight

Erez Dvora | 06.22.26

Review: 'Masters of the Universe' is a trashy movie that knows exactly what it is

In an era when toy brands become cinematic manifestos, 'Masters of the Universe' gives an ’80s action icon a modern, psychological spin, aiming for fantasy’s 'Barbie' with kids and nostalgic adults in mind

Erez Dvora | 06.05.26

Review: 'Obsession' shows Gen Z what toxic love looks like, and it’s scarier than any ghost

Former YouTuber Curry Barker turns a shy man’s spellbound romantic wish into a nightmare, tapping the anxieties of modern relationships in a low-budget horror hit everyone is talking about

Erez Dvora | 06.05.26

Review: Ryan Gosling’s ‘Project Hail Mary’ revives theaters with ambitious sci-fi

After weeks of closures, ‘Project Hail Mary’ — the Andy Weir adaptation starring Ryan Gosling — delivers spectacle and humor, though it struggles to balance light family fare with ambitious sci-fi

Erez Dvora | 04.07.26

Review: ‘Mike & Nick & Nick & Alice’ tries everything, but can’t hold it together

Vince Vaughn leads a chaotic genre mashup blending crime, comedy and sci-fi, with moments of fun but an overstuffed plot that struggles to balance its many ideas

Erez Dvora | 03.31.26

‘Die My Love’ review: Jennifer Lawrence gives everything in an unsettling, excessive performance

The latest film by director Lynne Ramsay, drags its heroine and viewers into a bleak, suffocating descent, with Jennifer Lawrence fully exposed as a disintegrating mother in a performance that is daring and thought-provoking, yet pushed to excess

Erez Dvora | 02.14.26

Review: ‘Mercy’ turns AI justice into a shallow thriller starring Chris Pratt

The new futuristic thriller starring Chris Pratt follows a police detective accused of murdering his wife, forced to prove his innocence before an AI system acting as judge and executioner — but its take on new technology lacks the depth and originality it demands

Erez Dvora | 01.30.26

Review: '12 Hours in October' shows the risks of turning Oct. 7 into cinema

Good intentions are no substitute for art or morality: Danny A.’s film on Apple TV Plus seeks to revisit national trauma but collapses into crude direction, propagandistic writing and hollow images that recycle pain rather than confront it

Erez Dvora | 01.09.26

Review: ‘Marty Supreme’ may finally bring Timothée Chalamet his well-deserved Oscar

With boundless charisma and swagger, Timothée Chalamet delivers a career-best turn as an ambitious ping-pong player in Josh Safdie’s frenetic, unhinged film — a cinematic tour de force with real Oscar potential

Erez Dvora | 01.01.26

‘Wake Up Dead Man’ review: The new ‘Knives Out’ mystery struggles beneath its ambition

Rian Johnson’s Knives Out series again blends mystery, humor and satire, but in third film, gap between ambitious production and script flaws is clear; touching on faith, power and corruption, it’s entertaining yet overstuffed

Erez Dvora | 12.02.25

Review: Disney’s ‘Zootopia 2’ returns with sharp humor and stunning animation

Disney’s animated sequel follows officers Judy Hopps and Nick Wilde as they unravel a conspiracy case; the film isn’t flawless but its inventive design, sharp dialogue and emotional pull shine through, promising strong repeat viewings and major box office returns

Erez Dvora | 11.29.25

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Abbas Araghchi Academia AI Antisemitism Arab Israelis Arkia artifacts Artificial Intelligence Austria bankruptcy