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Film
Spider-Woman: Zendaya matches her style to the movie and her new marital status
On a European red carpet tour for 'Spider-Man: Brand New Day,' Zendaya is joined by new husband Tom Holland, moving premiere to premiere in black-and-red looks that range from sporty to dramatic
Itay Yaacov
|
06.23.26
Spider-Man, Moana and Odysseus too: the biggest movie trailers of the summer
From Christopher Nolan’s summer-dominating epic to an Israeli tribute to Givat Halfon and the latest Jackass ordeal, here are the biggest, boldest films heading to theaters in the months ahead
Yoni Beinart
|
06.23.26
‘Köln 75’: Israeli director turns legendary concert into captivating film
Fifty years after Keith Jarrett’s legendary German concert became jazz’s best-selling solo album, Ido Fluk’s ‘Köln 75’ tells the story of the determined teen who made it happen, blurring fact, memory and myth
Shmulik Duvdevani
|
06.23.26
‘Gal Gadot’s casting caused a major storm, but she did phenomenal work’
As In the Hand of Dante arrives on Netflix, Jewish-American artist and filmmaker Julian Schnabel praises Gadot’s performance, rejects boycott calls and revisits his own complicated relationship with Israel, Judaism and his controversial Palestinian drama Miral
Amir Kaminer, Venice
|
06.20.26
An erotic film festival in Poland is boycotting Israel
Just days before the opening of an erotic short film festival in Warsaw, the hosting movie theater canceled the event after discovering that two of the films in the program were produced in Israel, 'in light of the current geopolitical situation'
Itamar Eichner
|
06.10.26
Natalie Portman and 350 leading filmmakers sign letter against cultural boycott of Nadav Lapid
Israeli director was forced to withdraw from a prestigious French film festival over pressure from pro-Palestinian activists; Letter says Lapid 'works tirelessly against his government’s fascist and colonialist tendencies and against its moral failures'
ynet
|
06.10.26
Jennifer Lopez looks 30, so why does this rom-com feel 300?
Review: Brett Goldstein of 'Ted Lasso' teams with Jennifer Lopez to revive the rom-com, but 'Office Romance' leans on clichés, crude jokes and absurd twists, forgetting to make us believe two people are really falling in love
Smadar Shiloni
|
06.08.26
Aliens, bounty hunters and a talking skull: 5 movies worth seeing in theaters now
From the moving sci-fi hit soon leaving theaters to the cutest 'Star Wars' adventure yet, Irish folk horror and He-Man’s dazzling comeback: five new movies worth seeing on the big screen
Yoni Beinart
|
06.08.26
Time travel, family secrets and Monet: 'Colours of Time' knows its audience
Cédric Klapisch's 'Colours of Time' blends European festival-cinema staples with a story spanning the 19th century and today: predictable and overlong, but charming
Shmulik Duvdevani
|
06.06.26
Review: 'Masters of the Universe' is a trashy movie that knows exactly what it is
In an era when toy brands become cinematic manifestos, 'Masters of the Universe' gives an ’80s action icon a modern, psychological spin, aiming for fantasy’s 'Barbie' with kids and nostalgic adults in mind
Erez Dvora
|
06.05.26
Review: 'Backrooms' turns empty offices into a stunning cinematic nightmare
What began as a viral internet phenomenon becomes, in Kane Parsons’ hands, an effective surreal horror film where design is the real star, turning empty rooms and corridors into a deeply unsettling cinematic maze
Shmulik Duvdevani
|
06.05.26
Review: 'Obsession' shows Gen Z what toxic love looks like, and it’s scarier than any ghost
Former YouTuber Curry Barker turns a shy man’s spellbound romantic wish into a nightmare, tapping the anxieties of modern relationships in a low-budget horror hit everyone is talking about
Erez Dvora
|
06.05.26
How YouTubers turned viral nightmares into Hollywood’s newest horror obsession
Horror films by Kane Parsons, the Philippou brothers, Curry Barker and other YouTubers show Hollywood’s fastest path now runs through millions of followers, not film school or festivals
Amir Bogen
|
06.04.26
Israeli company Artlist powers Hollywood’s first AI-hybrid film
Hollywood’s first hybrid AI film, 'Terrarium', will be produced with Israeli company Artlist as a technology partner and financier, marking a major step for generative video as studios weigh AI’s creative potential against fears of industry disruption
Tal Shahaf
|
05.28.26
'October 7 was an act of Nazism': Polish director takes on Holocaust cinema
Michal Kosakowski has long gravitated toward dark subjects, especially the Holocaust; his sweeping new documentary Holofiction explores its portrayal on screen and will be shown at Docaviv 2026
Amir Kaminer, Venice
|
05.26.26
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