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Send Help review: Sam Raimi’s gory horror comedy is fun but not wild enough

After a run of blockbusters, cult director returns to his roots with a dark horror comedy about a survival expert and her insufferable boss stranded on a deserted island — bloody, gross and amusing, but ultimately too restrained and old-fashioned

Benjamin Tovias | 02.14.26

‘Die My Love’ review: Jennifer Lawrence gives everything in an unsettling, excessive performance

The latest film by director Lynne Ramsay, drags its heroine and viewers into a bleak, suffocating descent, with Jennifer Lawrence fully exposed as a disintegrating mother in a performance that is daring and thought-provoking, yet pushed to excess

Erez Dvora | 02.14.26

Not just a blonde: Sydney Sweeney shines in a boxing biopic ‘Christy’

The biopic about a boxing champion aims for larger-than-life drama but settles for a familiar, cautious narrative; Sydney Sweeney gives a full-bodied performance, yet the fights, in and out of the ring, never land with real force

Shmulik Duvdevani | 02.10.26

Disclosure Day, Hoppers ו"ההרפתקאות של קליף בות'"

Tarantino, Spielberg and Pixar: the Super Bowl 2026 trailers everyone is talking about

Brad Pitt brings a 'Once Upon a Time in Hollywood' sequel to Netflix, Ryan Gosling races to save humanity, a 'House of the Dragon' star debuts a surprising DC heroine and the Minions take on monsters — but which Super Bowl trailer cost Jeff Bezos $20 million?

Amir Bogen, New York | 02.09.26

Jennifer Lawrence on Die My Love: motherhood, isolation, and emotional depth of harrowing role

Oscar-winning actress delivers a Golden Globe-nominated performance as a mother in Die My Love; in an interview with ynet, she discusses the emotionally charged film that explores postpartum isolation, identity, and desire

Ayala Or-El | 02.09.26

'There are times it’s unhealthy to remember': novelist Kazuo Ishiguro on war, trauma and recovery

Childhood in the shadow of the atomic bomb, life between cultures and a career shaped by memory and forgetting: Nobel laureate Kazuo Ishiguro reflects on postwar Japan, Israel after Oct. 7 and why 'living too much in the past can destroy a nation’s future'

Amir Kaminer, Cannes | 02.06.26

Daniel Roher’s ‘Tuner’ brings music, heist, heart and Israeli villains to the screen

After winning an Oscar for ‘Navalny,’ Daniel Roher makes his narrative feature debut with a stylish crime drama rooted in sound, identity and unlikely Israeli characters

Ayala Or-El | 02.06.26

Salman Rushdie returns to public life as ‘Knife’ premieres at Sundance

The author joins Oscar-winning filmmaker Alex Gibney at Sundance to discuss the 2022 knife attack, the legacy of the 1989 fatwa and how culture, journalism and art remain targets of authoritarian and religious extremism

Amir Bogen | 01.31.26

Review: ‘Mercy’ turns AI justice into a shallow thriller starring Chris Pratt

The new futuristic thriller starring Chris Pratt follows a police detective accused of murdering his wife, forced to prove his innocence before an AI system acting as judge and executioner — but its take on new technology lacks the depth and originality it demands

Erez Dvora | 01.30.26

Justice denied? New documentary reopens Alex Odeh murder mystery

New documentary Who Killed Alex Odeh? revisits 1985 assassination of Palestinian American activist, alleging US authorities long knew the suspects but avoided prosecution for political reasons, as three right-wing Jewish activists fled to Israeli settlements

Amir Bogen, Sundance | 01.27.26

Review: Why ‘Hamnet’ is emerging as one of the strongest Oscar contenders of the year

Chloe Zhao’s new film reimagines Shakespeare by centering on his wife Agnes, played by Jessie Buckley, exploring grief over their son’s death and the transformation of private loss into art in a poetic portrait of creativity

Shmulik Duvdevani | 01.27.26

Chris Pratt: 'Every industry is going to be affected by this intellectual revolution'

In Mercy, Pratt plays a man trapped in an AI-run courtroom, fighting for his life; speaking to ynet, the actor and father shares his cautious optimism on artificial intelligence: 'I don't feel like the machines are going to rise up and we're going to have to revolt against them'

Shirit Gal, London | 01.22.26

פטריק סטיוארט, רוברט דאוני ג'וניור וכריס אוונס

Can ‘Avengers: Doomsday’ save Marvel — or finally bury the franchise?

After six years of decline and superhero fatigue, Marvel is betting everything on ‘Avengers: Doomsday’ — leaning on legacy heroes, aging X-Men and heavy nostalgia in hopes of reviving a franchise whose magic may already be fading

Yoni Beinart | 01.21.26

Israeli-Palestinian drama heads to Berlin Film Festival as director unfazed by protests

As his debut feature ‘Where To’ competes at the Berlin Film Festival, director Assaf Machnes says he is not worried about anti-Israel demonstrations and hopes critics, including Culture Minister Miki Zohar, will watch the film in full

Amir Kaminer | 01.21.26

Japan’s booming ‘rent-a-family’ industry explores loneliness as a business in Hikari’s new film

After helping bring Asian American rage to the screen in the hit series Beef, director turns her lens to a different Japan, where families, love and emotional presence can all be rented for a fee

Amir Kaminer | 01.19.26

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Today

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Judicial reform Ahmad al-Sharaa Airstrike Amsterdam Antisemitism Ariel Bibas Benjamin Netanyahu Bitcoin Climate crisis Columbia University